Fare Exchange: Advice on cocoa and a recipe for barbecue sauce – Chattanooga Times Free Press

Fare Exchange: Advice on cocoa and a dish for barbecue sauce Chattanooga Times Free Press

Good early morning, essential readers. Today M. Mackie is requesting for a thick, delicious tomato soup “like the one offered by Sam’s Warehouse. I desire velvety and …

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Forget the 9-0, Burton Albion’s rise is one of modern football’s great fairy tales

The meager tally, which covers Robinson’’ s 24-year period at the club, epitomises whatever that has actually assisted to make the Brewers what they are today: among modern-day football’’ s biggest fairy tales. As they commemorate their 10th season in the Football League, Burton have actually produced a plan for enthusiastic non-league clubs to follow by revealing that stability and practical development can still benefit in the mega-bucks world of expert football.

That’’ s not to state that Robinson hasn’’ t made huge financial investments and choices when required, however he’’ s stayed client to turn Albion into seasonal overachievers. And on the one celebration when he was required to fire a supervisor, that fate falling on previous Birmingham City forward Paul Peschisolido back in 2012, it was just after a 17-game winless run threatened to pull Burton back into non-league. It’’ s a lot longer than lots of supervisors would have got.

Instead, the Staffordshire side continued to construct brick by brick, ultimately culminating in promo to the Championship in 2016; a promo Robinson compared to Leicester City’’ s 5,000-1 Premier League success.

What makes Burton’’ s accomplishments a lot more outstanding is the truth that the town is barely a hotbed of football. The football landscape in the location was barren prior to the Brewers were formed in 1950.

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Burton hadn’’ t had a club of any note for a years after Burton Town withdrew from competitors in 1940 due to World War II and didn’’ t reform after the combating stopped. Even more back, the town’’ s Wanderers and Swifts had actually been amongst the very first clubs to play in the Second Division in the Football League’’ s developmental years, and combined to form Burton United, who maintained the subscription till stopping working to get re-election in the early 1900s.

Albion’’ s introduction was barely an awakening either. While the start of the 1950-51 season significant day absolutely no in the club’’ s history, any tip of what would can be found in the 21st century was hardly obvious in its very first half century. The group took its location amongst a host of other non-league sides in the area, bouncing in between the local departments ¬– ¬– just making what occurred in the following 20 years a lot more excellent.

Led by the enigmatic Nigel Clough, who had actually taken control of the check October 1998, Burton directly lost out on promo to the Football Conference two times towards completion of the last millennium, prior to lastly topping the Northern Premier League in 2001-02.

Clough’’ s arrival, after seeing a paper advert for the task in the Daily Mail, had actually offered Burton additional motivation and his vision –– in addition to Robinson’’ s financial backing and disciplined technique –– started to progressively develop Albion in the 6th tier.

““ Straight away, we [Robinson and Clough] had great deals of commonalities and got on truly well,” ” Robinson remembered in a 2013 interview for Derbyshire Life.

““ I believed that with Clough’’ s profile, we most likely couldn ’ t manage him, however just how much Nigel was to be paid was never ever on the program.

““ Nigel raised the profile, not just of Burton Albion, however the town of Burton, and actually took us to another world [sic] I couldn’’ t have actually dealt with a more honourable guy.””

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Three successive bottom-half surfaces in the Conference were viewed as development, with Robinson’’ s crucial financial investment, the structure of the club’’ s brand-new Pirelli Stadium, opening its doors in 2005 with a friendly versus Manchester United. It was the return of Alex Ferguson’’ s guys later on that season that stimulated Burton onto the next level, with a 0-0 attract the FA Cup Third Round making a money-spinning replay at Old Trafford –– motivating brand-new advocates and restored aspiration.

Revenue from the cup run was reinvested wisely, as Burton slowly enhanced on their league surfaces: first of all difficult, then reaching the play-offs throughout the next 3 seasons prior to protecting promo to the Football League in 2009.

While accomplishing such status was an extraordinary task for a little, provincial club, that optimism was pierced towards completion of the season when Clough delegated end up being Derby County employer, with his previous charges almost blowing a 19-point result in limp over the line on the last day after competitors Cambridge United stopped working to win versus Altrincham. Burton were losing at Torquay United.

The doubtful end-of-season type, albeit ending with promo, indicated caretaker manager Roy McFarland chose not to get the irreversible position, with previous Birmingham forward Peschisolido offered the job of developing Burton at their brand-new level.

Once more, Robinson’’ s strategy was to develop smartly. All was going to strategy, with the Brewers attaining safe mid-table positions in the very first 2 seasons and going on another FA Cup run, beating Middlesbrough along the method. After Burton plunged down the table towards the end of 2011-12, Robinson was required to sack Peschisolido and leave assistant Gary Rowett to guide them to survival.

What took place next was the sort of climb Burton weren’’ t accustomed to. Rowett changed the club into promo competitors and, after 2 near misses out on in play-offs, his follower Jimmy Floyd Hasselbaink followed up winning League Two by leading them to the top of League One prior to leaving for QPR. It was a position the returning Clough transformed into promo to the Championship and brought Burton’’ s increase into nationwide focus.

““ We ’ ve done this on a small, the most pricey gamer we purchased was most likely ££ 25,000 ” Robinson informed the Daily Mail following promo. ““ And we ’ ve completed versus groups with a wage spending plan 3, three-and-a-half times what we’’ ve paid this season.

““ On the basis of that, as we’’ ve stated all along, for the size of the club and the level of assistance and our financial resources, we’’ ve overachieved huge time and it shows it’’ s possible to be effective without investing a fortune.””

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Relegation after 2 seasons in the 2nd tier hasn’’ t moistened the state of mind that Burton is a club on the up. And developed on the structure of modest development, their accomplishments are a plain message to the invest huge, sack-happy owners that stumble their sides from one crisis to the next.

Bet on Football.

..Chances are offered sometimes of composing, please examine your betslip to verify they have actually not altered prior to wagering.

The post Forget the 9-0, Burton Albion’s increase is among contemporary football’s terrific fairy tales appeared initially on BetBright Blog .

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The MAGA boys may have harassed women before the now-viral incident—and there’s even video

The MAGA boys may have harassed women before the now-viral incident—and there’s even video


The MAGA boys may have harassed women before the now-viral incident—and there’s even video

On Saturday, January 19th, a video emerged of a group of teens in MAGA hats jeering at protesters at the Indigenous Peoples March. Before long, the clip went viral, and the teens were identified as a group of students from Covington Catholic High School in Kentucky who were in Washington, D.C. for the anti-abortion March for Life. The teens and their allies have since claimed that they weren’t harassing the group, which included Native American elder Nathan Phillips. However, a woman has now come forward claiming those same boys harassed her and several friends before the rally, seeming to support the fact that the teens were exhibiting disrespectful and bigoted behavior from the beginning.

On January 21st, Twitter user @roflinds shared an eight-second video of a group of MAGA hat-wearing boys shouting at her friend outside the Lincoln Memorial. She tweeted that they heard the group yell “MAGA,” “Build the wall,” and “slut” as they walked by.

“The Covington Catholic boys harrassed [sic] my friends and I before the incident with Nathan Phillips even happened,” she tweeted. “I’m tired of reading things saying they were provoked by anyone else other than their own egos and ignorance.”

The Covington Catholic boys harrassed my friends and I before the incident with Nathan Phillips even happened. I'm tired of reading things saying they were provoked by anyone else other than their own egos and ignorance 🤦🏼‍♀️ pic.twitter.com/utdPFii92D

— linds (@roflinds) January 21, 2019

The faces of the woman’s harassers aren’t clear in the video, but when one user asked if she was sure that they were Covington Catholic students, she replied that she was “positive.”

Positive pic.twitter.com/sHYdh5BRAt

— linds (@roflinds) January 22, 2019

Let’s not forget—this entire event happened because a group of boys went on a school-sanctioned trip to protest against a woman’s right to her own body and reproductive healthcare. It is not debatable that bigotry was at play from the start.

— Alyssa Milano (@Alyssa_Milano) January 21, 2019

They were teenagers attending and anti abortion rally, these children have been taught to view women as wombs not autonomous human being, racism and misogyny go hand in hand #CovingtonCatholic

— Captain Fluffula (@Fluffula) January 20, 2019

Phillips, the Native American elder from the original viral video, told The New York Times that he had originally intervened between the students and a group of Black Hebrew Israelite protesters on Saturday due to mounting tensions. He told the paper that he “stepped in between to pray.”

Anyway it was way off base for a tv commercial to suggest that some boys need to behave better pic.twitter.com/s3xW7aFUJy

— Jess Dweck (@TheDweck) January 20, 2019

The teen from the photo, who identified himself as junior Nick Sandmann, claimed in a statement that he and the other students had been saying school chants to “counter the hateful things that were being shouted at our group.” But other people have extremely different accounts of what took place, with many witnesses saying the boys were clearly mocking Native American dance and practices.

The earlier footage of Native American veteran Nathan Phillips being mocked by Trump supporters is so much worse. pic.twitter.com/U2EcFAoYoC

— Waleed Shahid (@_waleedshahid) January 21, 2019

If the eight-second video clip from @roflinds is, in fact, of the same boys who harassed Phillips, then it’s safe to say they were exhibiting highly problematic behavior well before the now-viral incident took place. Why are we not surprised?

The post The MAGA boys may have harassed women before the now-viral incident—and there’s even video appeared first on HelloGiggles.

Read more: hellogiggles.com

SVG Filter Effects: Outline Text with

SVGFilterEffects_Morphology_featured

Last week, in the first post of this series on SVG filter effects, we covered the basics of SVG filters—how to create them and how to use them. We also covered a few of the most frequently used filter operations (a.k.a. filter primitives). We will be reusing a little of what we covered in the first post in this article. So, unless you’re already familiar with those, I recommend taking a few minutes to read that article before moving forward with this one.

<feMorphology> is one of my favorite SVG filter operations. It is one of the simplest operations, too, and the results of applying it to different elements are predictable most of the time.

What is Morphing?

To morph means to transform or alter the form or the shape of an object.

The morphology filter operates on the form of an object. It provides two predefined shape transformations: erosion (a.k.a thinning, or shrinking) and dilation (a.k.a. thickening, or expanding). In other words, the feMorphology primitive can be used to shrink or expand elements.

Technically speaking, both these operations operate on a pixel level, expanding a pixel into its neighboring pixels (dilate) or crumbling the neighboring pixels at the edges of the pixel being operated on (erode), while still maintaining strokes around the edge of that pixel. The amount by which a pixel is dilated, or the number of neighboring pixels used to “stretch” or “expand” a pixel upon, is determined by a radius parameter.

<feMorphology
in=”..” result=”..”
operator=”dilate || erode” radius=””>
</feMorphology>

You can think of the morphing radius as the radius of a circle or ellipse; any neighboring pixels that lie within the circle determined by this radius and starting at the input pixel then counts as a neighboring pixel and will be used in the dilation or erosion effect.

In reality, though, the radius actually defines the size of a kernel known as the structuring element and which looks more like a matrix. For now, it’s enough to think about it in terms of a small rectangle whose width and height are determined in pixels specified in the radius attribute.

Effect of erosion using a 3x3 structuring element (kernel).

To use the filter we don’t need to get into the nerdy details of what morphing does on a pixel level. Suffice it to know that you can provide one or two radius values to feMorphology that will determine the amount by which your element will be shrunk or expanded. If you provide two numbers in the radius attribute, the first one will correspond to the x-radius and the second one will determine the y-radius.

Morphing Images

When the feMorphology operation is applied to images, it results in two, usually predictable, results:

The image size (dimensions) get smaller if the erode operator is used, and larger if the dilate operator is used.
With either operator, the image looks like it’s been painted with a large painting brush, with not a lot of fine detail in it.

So, assuming we want to apply the morphing effect to an image, our code would look as simple as this:

<svg width=”450″ height=”300″ viewBox=”0 0 450 300″>
<filter id=”erode”>
<feMorphology operator=”erode” radius=”3″></feMorphology>
</filter>
<image xlink:href=”…” width=”90%” height=”90%” x=”10″ y=”10″ filter=”url(#erode)”></image>
</svg>

In this snippet, we are eroding (shrinking) the (pixels in the) image by 3 pixels. The following image shows the result of this code. Notice how the size of the image is slightly smaller on the right:

The result (on the right) of applying the erode morphing effect to the image on the left.The result (on the right) of applying the erode morphing effect to the image on the left.

Now, if we keep the same morph radius and change the operator from erode to dilate, the effect looks similar, but also distinctively different:

The result (on the right) of applying the dilate morph operation to the image on the left.The result (on the right) of applying the dilate morph operation to the image on the left.

In both cases, the image looks like an abstract painted version of itself, and its overall size changes as its pixels expand or shrink.

But in addition to the these results, probably the first thing you’ll notice is the difference in colors resulting from each of these two effects: erode produces an image that has more dark pixels, whereas dilate produces a light output. This is due to the fact that:

erode (the default value) sets each pixel to its darkest or most transparent neighbor, respectively for each of the R, G, B, and A channels, and

dilate sets each channel of each pixel to match the brightest or least transparent value from its neighbors, for each channel respectively.

All this technicality aside, applying feMorphology to images will almost always have the same result: a shrunken or expanded low-detail paint-like version of the image with either dark or light main strokes.

See the Pen feMorphology on an image by Sara Soueidan (@SaraSoueidan) on CodePen.light

When applied to single-color elements, however, such as text, feMorphology only shrinks or expands the element—no noticeable pixel color changes happen because we only have one color to work with anyway…

Adding Colored Outline to Text with feMorphology

We can currently add an outline to text in SVG using the stroke attribute on that text.

<!– Adding an outline to SVG text using strokes –>
<text font-size=”80px” dx=”100″ dy=”200″ font-weight=”700″ stroke=”deepPink” stroke-width=”3px”>Stroked Text</text>

By adding a stroke, the stroke is usually centered at the edges of the text so that half of its thickness overlaps with the text itself, making the text thinner, even when it’s not supposed to. Instead of reducing the thickness of the text to add an outline, we should be able to expand (or dilate) the text so that the thickness of the outline or stroke is added to that of the text. We can do that using feMorphology.

Unless otherwise styled, text usually comes in one color. So, applied to text, feMorphology allows us to shrink or thicken that text. Once the text is thickened using feMorphology, it can be used as input to other filter primitives which then allow us to create text outlines the way they are meant to be created.

Before we dig into how to do that, here is an image showing the difference between text with a stroke outline and an outline added using feMorphology.

Screen Shot 2019-01-08 at 13.39.46Notice how the stroked text in the middle has become thinner after adding the stroke outline, compared to the text dilated using feMorphology.

So, let’s create a colored piece of text with an outline. We’ll take it step by step. This is the result we will be aiming for:

Screen Shot 2019-01-08 at 18.06.37

So we’ll start with an SVG containing our text and a filter that starts with a simple dilation operation. The amount you dilate the text by depends on the thickness of the outline that you want.

<svg width=”900″ height=”200″ viewBox=”100 0 900 200″>
<filter id=”outline”>
<feMorphology in=”SourceAlpha” result=”DILATED” operator=”dilate” radius=”4″></feMorphology>
</filter>

<!– DILATED TEXT –>
<text font-size=”85px” dx=”125″ dy=”130″ font-weight=”700″ filter=”url(#outline)”>upgrade yourself</text>
</svg>

The above code will get the alpha channel of the text—which is just a black version of the text—and will thicken it by 4px. The result of the code at this point looks like this:

Screen Shot 2019-01-08 at 18.10.25

..compared to the original text which has a dark navy blue fill color:

Screen Shot 2019-01-08 at 18.11.13

In order to create the outline effect, we will layer the original text on top of the dilated text, which will leave only the edges of the dilated text (the additional 4px) visible behind the original text, thus making them look like an outline. Overlaying the text on top of its outline (the dilated text) will be achieved using feMerge. We covered feMerge in the previous article.

Another thing we want to do before we position the outline behind the text is to colorize this outline. Also similar to what we did in the previous article, we will flood the filter region area with the color we want, and then composite the color layer with the dilated text layer (our outline) using the in operator. As a result, only the parts of the flood color that intersect with the dilated text will be rendered and the color will be blended with that text, thus colorizing it. Finally, we will merge the resulting colored outline with the original text to get the result we want. Our code now looks like this:

<svg width=”900″ height=”200″ viewBox=”100 0 900 200″>
<filter id=”outline”>
<feMorphology in=”SourceAlpha” result=”DILATED” operator=”dilate” radius=”4″></feMorphology>

<feFlood flood-color=”#32DFEC” flood-opacity=”1″ result=”PINK”></feFlood>
<feComposite in=”PINK” in2=”DILATED” operator=”in” result=”OUTLINE”></feComposite>

<feMerge>
<feMergeNode in=”OUTLINE” />
<feMergeNode in=”SourceGraphic” />
</feMerge>
</filter>

<!– DILATED TEXT –>
<text font-size=”85px” dx=”125″ dy=”130″ font-weight=”700″ filter=”url(#outline)”>upgrade yourself</text>
</svg>

Creating a filter effect in SVG is a matter of thinking of the final result in terms of smaller operations, and using the result of one operation as input to another, and finally merging any layers we have created to achieve the final result.

The following is a live demo of the above code:

See the Pen Colored Text Outline with feMorphology by Sara Soueidan (@SaraSoueidan) on CodePen.light

The fill color of the text can be specified either in your CSS or on the text element using the fill attribute. The color of the outline can be tweaked in the flood-color attribute of the feFlood primitive.

Knocking the Text Out

In addition to adding an outline to text by dilating its alpha channel and layering it behind the text, we can create outline-only text, a.k.a. knockout text, meaning that the inside of the text will be “carved out” so you can see the background behind it through the outline. An example of such effect might look like the text in the following GIF, which shows a background changing color, and how that background can be seen within our text. This is the demo we will be creating in this section:

bird-GIF-svg

This effect is easier to create, and the code required to make it is noticeably shorter. The main difference here is that instead of layering the source text on top of the dilated text, we will use that source text to cut out the inner parts of the dilated text. This means that only the added thickness of the dilated text will remain, while the inside will be removed, thus giving us our outline.

We can do that by compositing the source text with the dilated text. Our source text will go on top, and the dilated text will be its backdrop. Using the out composite operator, only the parts of the backdrop that do not overlap with the source layer will be rendered, which in our case means that only our outline will be rendered.

<svg width=”900″ height=”450″ viewBox=”0 0 900 450″>
<filter id=”outliner”>

<!– Start by grabbing the alpha channel of the text and dilating it–>
<feMorphology operator=”dilate” radius=”8″ in=”SourceAlpha” result=”THICKNESS” />

<!– Next, grab the original text (SourceGraphic) and use it to cut out the inside of the dilated text –>
<feComposite operator=”out” in=”THICKNESS” in2=”SourceGraphic”></feComposite>
</filter>

<text dx=”100″ dy=”300″ filter=”url(#outliner)” letter-spacing=”10px”>SVG Rocks</text>
</svg>

Using a nice font face, our demo now looks like this:

Screen Shot 2019-01-08 at 18.33.21

Cool. Now, what if you want to change the color of the outline? You’d have to use the feFlood primitive again and composite the Flood color with the outline. And then every time you want to change the color of the outline, you’d have to do the same over and over again. This is, admittedly, too tedious. Fortunately, there is a simpler way.

If instead of grabbing and dilating the alpha channel of the text (which is black by default) you grab the source text itself (which could have any fill color!) and dilate it, and then use the text again to carve out the inside of the dilated text, you end up with an outline that comes from the source text itself. This means that the color of that outline will always be the same as the color of the source text. And since we can define the fill color of the source text in CSS, this means that you have an outline text that is separated from its styles. (Yay separation of concerns!) You can then apply the filter to any piece of text, and change the color of that text in the CSS any time you need to, without having to tweak the filter’s code. Our improved code now looks like this:

<svg width=”900″ height=”450″ viewBox=”0 0 900 450″>
<filter id=”outliner”>

<!– Start by grabbing the source graphic (the text) and dilating it–>
<feMorphology operator=”dilate” radius=”8″ in=”SourceGraphic” result=”THICKNESS” />

<!– Then use the text (the SourceGraphic) again to cut out the inside of the dilated text –>
<feComposite operator=”out” in=”THICKNESS” in2=”SourceGraphic”></feComposite>
</filter>

<text dx=”100″ dy=”300″ filter=”url(#outliner)” letter-spacing=”10px”>SVG Rocks</text>
</svg>

In our style sheet, we can choose the outline color as well as the SVG background color. You can also choose to have an image behind the text inside the SVG. I’m using CSS animations in the code below to animate the color of the background, for no reason other than it being cool.

svg text {
font-family: ‘Bangers’, cursive;
font-size: 150px;
letter-spacing: 13px;
fill: #000; /* This fill color determines the color of the outline */
}

svg {
background-color: gold;
animation: colorsssss 2s linear infinite;
animation-delay: 3s;
}

@keyframes colorsssss {
50% {
background-color: deepPink;
}
}

The above SVG filter is reusable across SVG as well as HTML. If you want to apply it to an HTML element, you can do that using the filter property; just place the filter in your HTML and “call” it in your CSS:

h2 {
filter: url(#outliner);

/* You can change the color of the outline here by changing the color of the heading */
color: deepPink;
}

And our finished demo that includes an HTML heading with the filter applied to it:

See the Pen (Text) Outlines (Only) by Sara Soueidan (@SaraSoueidan) on CodePen.light

My favorite thing about this filter recipe is that it can be used as a visual enhancement. If a browser does not support SVG filters, or if it does not support CSS filters, or it does not support applying SVG filters to HTML elements, the user will get the original text without the outline/knockout effect applied to it. Oh, and the cherry on top of the cake? Both the SVG and the HTML text will be fully accessible, searchable and selectable. Yay progressive enhancement! Yay SVG!

Final Words

Using just two filter operations in SVG, you can apply an outlined text effect to your SVG or HTML text content. Place this filter in your HTML and use and reuse it as often as you need.

In the next article in this series, we will have a look at the <feComponentTransfer>, one of my favorite filter primitives, and see how it works and what effects we can create with it. Stay tuned.

SVG Filter Effects: Outline Text with <feMorphology> was written by Sara Soueidan and published on Codrops.

Read more: tympanus.net

First Look: Srixon Z-Forged Irons

Never mind most of us aren’t anywhere near good enough to play them, but good gravy a nice set of blades can make your nether-regions do the Ball Striker’s Rumba all day and all of the night. Blades are the true eye candy of the golf world, and serious golf companies are measured by how sleek, sexy and downright gorgeous their blades are.

Srixon has blades, so by definition, it’s a serious golf company. How serious depends on how sleek, sexy and gorgeous you find their new Z-Forged irons.

My hunch is you’ll find them deadly serious.

Art Meets Function

Club designers I’ve spoken with say designing blades is where the fun is. Techwise, there’s only so much you can do, so the challenge is to make it appealing to the eye while also providing the skilled ball-striker something they can use. The term forgiving blade is kind of an oxymoron, but today’s blades are easier to hit than your grandfather’s buddah knives.

“When we make a pure blade, we try to combine looks with advanced technology,” says Srixon Product Manager Zack Oakley. “You start by designing them on a computer, then you create the prototype, and then the artisan meticulously hand-shapes them and works with the Tour team to get the shape just right. Then you rescan them into the computer to capture that hand shape. They’ll do this several times until it’s perfected.”

The new Z-Forged blades are updates to the Z-965 blades and are companions to Srixon’s new Z 85 iron series introduced last fall. Srixon chose not to release their blades at the same time, even though that had been their custom. The fact they’re called Z-Forged with no designated numbers may indicate Srixon is planning a longer than two-year life cycle for the blades, so it would make sense to separate them from the Z-85 irons.

In addition, the styling is a bit of a departure from Srixon’s past blades and has a look that stands apart from the Z-785 and 585 irons.

“In previous Srixon models you see a lot of sharp edges that are sort of more triangular,” says Oakley. “You still see that in the 5’s and 7’s, but with the Z-Forged it’s more of a wave style. The designer that came up with this look was thinking about the ocean, and since we’re here on Huntington Beach and Japan is an island, it’s sort of a cross between the two.

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Topline Headlines

Blade lovers often exhibit what can only be called a kind of a topline fetish, insisting on a topline so thin it only has one side. Srixon’s previous blades featured some pretty slender toplines, but they weren’t what you’d call turkey carvers. The Z-Forged topline is, in fact, a tad thinner than that of its predecessor.

“The topline is naturally thinner than the matching Z-785 irons, as well,” says Oakley. “The topline is also a little bit straight at address.”

There are a couple of other subtle changes. The grooves are a bit deeper to provide a little bit more spin control, and there’s a steeper V in the VT Sole to accommodate the steeper swing of a tour player. “It gets you out of the turf a little quicker,” says Oakley.

As with the Z-65 series irons, you can expect to see the Z-Forged combined with Z 785’s and 585’s in progressive irons sets.

“They’re made to combo and mix and match,” says Oakley.

Final Thoughts, Price, Availability

To a company, OEMs will tell you while blades are the flagship of their lines, they’re also low man on the sales totem pole. That explains why most have three- to four-year life cycles for their blades and two- to three-year cycles on their players cavity backs. Tech-heavy Game Improvement irons are the big sellers and get the facelift every year or two.

So when it comes to the bottom line, blades don’t make or break an OEM, but they are important to each company’s Tour staff and to its image – serious OEM’s have serious blades, simple as that.

Srixon’s Z Forged blades will sell for $142.85 per club, so an 8-club set (3-PW) will run you $1,142.80 and a 7-club set will go for $999.99. The Nippon Modus 3 120 is the stock shaft, and the Golf Pride Tour Velvet is the stock grip. Srixon has one of the most extensive no-upcharge shaft options in the business, with 40 different shafts and grips available for custom builds at no extra cost.

The Z-Forged are available for pre-order on the Srixon website starting today. They’ll be in stores February 1st.

Read more: mygolfspy.com

Roger Goodell absolutely can (but definitely won’t) overturn that blown Saints call

There’s an obscure rule that could overturn the ridiculous blown call in the New Orleans Saints loss to the Los Angeles Rams. It’ll never happen, but let’s explore the possibilities anyway. Call Jason Witten, Joe Tessitore and Lisa Salters. Fire up the Booger-mobile. We’re playing a Monday Night Football game. Well, we would be playing […]

Roger Goodell absolutely can (but definitely won’t) overturn that blown Saints callFanSidedFanSided – Sports News, Entertainment, Lifestyle & Technology – 300+ Sites

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The fosterIAN awards

fosterIAN (fos-tîr’ē-ən) – an award given for excellence in the theatre that I have witnessed.

For a long time, one of my life’s ambitions was to get the word ‘fosterian’ into the lexicon. I always thought it would be an adjective, like Thatcherite or Marxist, but I’ve now come to realise it is actually a noun, and hence we have the fosterIAN awards. 

Awarded annually, you can find all of the winners and nominees below in a searchable table format. An elite club of 12 are currently two-time winners, and nominations-wise, Josefina Gabrielle leads the list with five, Daniel Crossley Andrew Scott and Imelda Staunton just behind on four.

 WinnerRunner-upOther nominees

2018 Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking

2018 Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusBen Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I’m Darling
Shubnam Saraf, An Adventure

2018 Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night’s Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia

2018 Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories

2018 Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O’Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical

2018 Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home

2018 Best Supporting Actress in a MusicalPatti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors

2018 Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden Albion
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2017 Best Actress in a PlayHattie Morahan/
Kate O’Flynn/
Adelle Leonce,
Anatomy of a SuicideVictoria Hamilton, AlbionShirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle

2017 Best Actor in a Play
Ken Nwosu, An OctoroonAndrew Scott, HamletAndrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning

2017 Best Supporting Actress in a PlayBríd Brennan, The FerrymanKate Kennedy, Twelfth Night (Royal Exchange)Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O’Flynn, The Glass Menagerie

2017 Best Supporting Actor in a PlayFisayo Akinade,
Barber Shop ChroniclesBrian J Smith, The Glass MenageriePhilip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America

2017 Best Actress in a MusicalJanie Dee, Follies AND
Josefina Gabrielle, A Little Night Music
AND Josie Walker,
Everybody’s Talking About JamieAmie Giselle-Ward, Little WomenSharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T’Shan Williams, The Life

2017 Best Actor in a MusicalGiles Terera, HamiltonScott Hunter/Andy Coxon, Yank! A WWII Love StoryJohn McCrea, Everybody’s Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton

2017 Best Supporting Actress in a MusicalTracie Bennett,
FolliesRachel John, HamiltonChristine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody’s Talking About Jamie

2017 Best Supporting Actor in a MusicalJason
Pennycooke,
HamiltonMark Anderson, The Grinning ManFred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

2016 Best Actress in a PlayJuliet Stevenson/Lia Williams, Mary StuartUzo Aduba/Zawe Ashton, The MaidsGemma Arterton Nell Gwynn,
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Harriet Walter, The Tempest

2016 Best Actor in a Play
O-T Fagbenle, Ma Rainey’s Black BottomLucian Msamati, Ma Rainey’s Black BottomPhil Dunster, Pink Mist
Paapa Essiedu, Hamlet
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Danny Sapani, Les Blancs

2016 Best Supporting Actress in a PlayJade Anouka, The TempestLizzy Connolly/Amanda Lawrence, Once in a LifetimeNadine Marshall, Father Comes Home From The War (Parts 1, 2, and 3)
Tanya Moodie, Hamlet
Siân Phillips, Les Blancs
Rachael Stirling, The Winter’s Tale
Susan Wokoma, A Raisin In The Sun

2016 Best Supporting Actor in a PlayPeter Polycarpou, Scenes from 68* YearsAnthony Boyle, Harry Potter and the Cursed ChildRudi Dharmalingham, Mary Stuart
Dex Lee, Father Comes Home From The War (Parts 1, 2, and 3)
Nick Fletcher, The Deep Blue Sea
Jonjo O’Neill, Unreachable
Alan Williams, Mary Stuart

2016 Best Actress in a MusicalJenna Russell, Grey GardensClare Burt, Flowers for Mrs HarrisSamantha Barks, The Last 5 Years
Glenn Close, Sunset Boulevard
Kaisa Hammarlund, Sweet Charity
Cassidy Janson, Beautiful
Landi Oshinowo, I’m Getting My Act Together…

2016 Best Actor in a MusicalLouis Maskell, The Grinning ManAko Mitchell, RagtimeDeclan Bennett, Jesus Christ Superstar
Dex Lee, Grease
Hugh Maynard, Sweeney Todd
Charlie Stemp, Half A Sixpence
Mark Umbers, She Loves Me

2016 Best Supporting Actress in a MusicalJennifer Saayeng, RagtimeVictoria Hamilton-Barritt, Murder BalladJosie Benson, Sweet Charity
Sheila Hancock, Grey Gardens
Rachel John, The Bodyguard
Katherine Kingsley, She Loves Me
Gloria Onitiri, The Grinning Man

2016 Best Supporting Actor in a MusicalJulian Bleach, The Grinning ManTyrone Huntley, Jesus Christ SuperstarAdam J Bernard, Dreamgirls
Daniel Crossley, Sweet Charity
Stuart Neal, The Grinning Man
Dominic Tighe, She Loves Me
Gary Tushaw, Ragtime

2015 Best Actress in a PlayLia Williams, Oresteia Letitia Wright, EclipsedThusitha Jayasundera, My Eyes Went Dark
Marianne Jean-Baptiste, hang
Gugu Mbatha-Raw, Nell Gwynn
Lara Rossi, Octagon

2015 Best Actor in a Play
John Heffernan, Oppenheimer David Morrissey, HangmenChiwetel Ejiofor, Everyman
Jamie Samuel, Plastic Figurines
Eelco Smits, Glazen Speelgoed
Angus Wright, Oresteia

2015 Best Supporting Actress in a PlayDaisy Haggard, You For Me For You T’Nia Miller, EclipsedPriyanga Burford, The Effect
Estella Daniels, Octagon
Rosalind Eleazor, Plaques and Tangles
Sally Rogers, Hangmen

2015 Best Supporting Actor in a PlayJohn Simm, The Homecoming David Moorst, Violence and SonHarm Duco Schut, Glazen Speelgoed
Johnny Flynn, Hangmen
James Garnon, As You Like It (Globe)
David Sturzaker, Nell Gwynn

2015 Best Actress in a MusicalNatalie Dew, Bend It Like Beckham Katie Brayben, BeautifulTracie Bennett, Mrs Henderson Presents
Jennifer Harding, The Clockmaker’s Daughter
Debbie Kurup, Anything Goes
Kelly Price, Little Shop of Horrors

2015 Best Actor in a MusicalGiles Terera, Pure Imagination Matt Henry, Kinky BootsIan Bartholomew, Mrs Henderson Presents
Killian Donnelly, Kinky Boots
Scott Garnham, Grand Hotel
Alex Gaumond, Seven Brides for Seven Brothers

2015 Best Supporting Actress in a MusicalEmma Williams, Mrs Henderson Presents Amy Lennox, Kinky BootsAnita Dobson, Follies
Anna Francolini, wonder.land
Lauren Samuels, Bend It Like Beckham
Lorna Want, Beautiful

2015 Best Supporting Actor in a MusicalEmmanuel Kojo, Show Boat Ako Mitchell, Little Shop of HorrorsMatthew Malthouse, Mrs Henderson Presents
Ian McIntosh, Beautiful
Jamie Parker, High Society
George Rae, Grand Hotel

2014 Best Actress in a PlayGillian Anderson, A Streetcar Named Desire Chris Nietvelt & Halina Reijn, Maria Stuart (Toneelgroep Amsterdam) Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People

2014 Best Actor in a Play
Cary Crankson, The Saints Jack Holden, Johnny Get Your Gun Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge

2014 Best Supporting Actress in a PlayVanessa Kirby, A Streetcar Named DesirePhoebe Fox & Nicola Walker, A View From The Bridge Blythe Duff, The James Plays
Liz White, Electra
Lydia Wilson, King Charles III

2014 Best Supporting Actor in a PlayJoe Caffrey, Wet House Hans Kesting, Maria Stuart (Toneelgroep Amsterdam) Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg

2014 Best Actress in a MusicalImelda Staunton, Gypsy Gemma Arterton, Made in Dagenham Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls

2014 Best Actor in a MusicalSam Mackay, In The Heights Benjamin Scheuer, The Lion Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)

2014 Best Supporting Actress in a MusicalJenna Russell, Urinetown Lara Pulver, Gypsy Samantha Bond, Dirty Rotten Scoundrels
Victoria Hamilton-Barritt, In The Heights
Kiara Jay, Sweeney Todd (Tooting Arts Club)
Zoe Rainey, The Return of the Soldier

2014 Best Supporting Actor in a MusicalJason Pennycooke, Memphis Aaron Tveit, Assassins Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown

2013 Best Actress in a PlayMarianne Jean-Baptiste, The Amen CornerMichelle Terry, A Midsummer Night’s Dream (Globe)Lucy Ellinson, Grounded
Stella Gonet/Fenella Woolgar, Handbagged
Lesley Manville, Ghosts (Almeida)
Shuna Snow, Iron

2013 Best Actor in a Play
Philip Duguid-McQuillan & Jamie Samuel, Jumpers for GoalpostsAl Weaver, The PrideBrian Cox, The Weir
Hugo Koolschijn, Scenes from a Marriage (Toneelgroep Amsterdam)
Benedict Wong, Chimerica

2013 Best Supporting Actress in a PlayLinda Bassett, RootsDeborah Findlay, CoriolanusAnna Calder-Marshall, The Herd
Isabella Laughland, The Same Deep Water As Me
Hadewych Minis, Scenes from a Marriage (Toneelgroep Amsterdam)
Cecilia Noble, The Amen Corner

2013 Best Supporting Actor in a PlayPearce Quigley, A Midsummer Night’s Dream (Globe)Roeland Fernhout, Scenes from a Marriage (Toneelgroep Amsterdam)Richard McCabe, The Audience
Jeff Rawle, Handbagged
Andy Rush, Jumpers for Goalposts
Alexander Vlahos, Macbeth (MIF)

2013 Best Actress in a MusicalRosalie Craig, The Light PrincessCynthia Erivo, The Color PurpleZrinka Cvitešić, Once the musical
Anita Dobson, Carnival of the Animals
Scarlett Strallen, A Chorus Line
Charlotte Wakefield, The Sound of Music

2013 Best Actor in a MusicalKyle Scatliff, Scottsboro Boys Declan Bennett, Once the musicalDavid Birrell, Sweeney Todd
Nick Hendrix, The Light Princess
Matt Smith, American Psycho
Michael Xavier, The Sound of Music

2013 Best Supporting Actress in a MusicalLeigh Zimmerman, A Chorus LineNicola Hughes, The Color PurpleAmy Booth-Steel, The Light Princess
Katie Brayben, American Psycho
Cassidy Janson, Candide
Sophia Nomvete, The Color Purple

2013 Best Supporting Actor in a MusicalKit Orton, The Hired ManMichael Matus, The Sound of MusicBen Aldridge, American Psycho
Christian Dante White, Scottsboro Boys
Kane Oliver Parry, The Light Princess
Gary Wood, A Chorus Line

2012 Best Actress in a PlayKate O’Flynn, LungsLaurie Metcalf, Long Day’s Journey Into NightHattie Morahan, A Doll’s House
Helen McCrory, Last of the Haussmans
Cate Blanchett, Big and Small
Sally Hawkins, Constellations

2012 Best Actor in a Play
Luke Treadaway, The Curious Incident of the Dog in the Night-timeRafe Spall, ConstellationsBilly Carter, Someone Who’ll Watch Over Me
David Suchet, Long Day’s Journey Into Night
Hugh Ross, A Life
Dominic Rowan, A Doll’s House

2012 Best Supporting Actress in a PlayNiamh Cusack, The Curious Incident of the Dog in the Night-timeLaura Howard, Lost in YonkersRuth Sheen, In Basildon
Nicola Walker, The Curious Incident of the Dog in the Night-time
Katie Brayben, A Midsummer Night’s Dream (Open Air)
Fenella Woolgar, Hedda Gabler

2012 Best Supporting Actor in a PlayPaul Chahidi, Twelfth Night (Globe)Charles Edwards, This HouseRobin Soans, Someone Who’ll Watch Over Me
Rory Kinnear, Last of the Haussmans
Cyril Nri, Julius Caesar
Olly Alexander, Mercury Fur

2012 Best Actress in a MusicalCarly Bawden, My Fair LadyJanie Dee, Hello, Dolly!Caroline O’Connor, Gypsy
Anna Francolini, Victor/Victoria
Rosalie Craig, Ragtime
Jenna Russell, Merrily We Roll Along

2012 Best Actor in a MusicalSimon Russell Beale, Privates on ParadeMark Umbers, Merrily We Roll AlongRichard Dempsey, Victor/Victoria
Julian Ovenden, Finding Neverland
Will Young, Cabaret
Dominic West, My Fair Lady

2012 Best Supporting Actress in a MusicalClare Foster, Merrily We Roll AlongBonnie Langford, 9 to 5Josefina Gabrielle, Merrily We Roll Along
Debbie Kurup, The Bodyguard
Helena Blackman, A Winter’s Tale
Laura Pitt-Pulford, Hello, Dolly!

2012 Best Supporting Actor in a MusicalMichael Xavier, Hello, Dolly!Damian Humbley, Merrily We Roll AlongAlistair Brookshaw, A Winter’s Tale
Stuart Matthew Price, Sweet Smell of Success
Ben Kavanagh, Boy Meets Boy
Oliver Boot, Finding Neverland

2011 Best Actress in a PlayEve Best, Much Ado About Nothing (Globe)Ruth Wilson, Anna ChristieRosie Wyatt, Bunny
Siân Brooke, Ecstasy
Lisa Palfrey, The Kitchen Sink
Geraldine James, Seagull

2011 Best Actor in a Play
Benedict Cumberbatch, FrankensteinAndrew Scott, Emperor and GalileanTrevor Fox, The Pitmen Painters
Dominic West, Othello
Jude Law, Anna Christie
Charles Edwards, Much Ado About Nothing (Globe)

2011 Best Supporting Actress in a PlayAlexandra Gilbreath, OthelloSheridan Smith, Flare PathSinéad Matthews, Ecstasy
Billie Piper, Reasons to be Pretty
Kirsty Bushell, Double Feature 1
Esther Hall, Many Moons

2011 Best Supporting Actor in a PlayRyan Sampson, The Kitchen SinkHarry Hadden-Paton, Flare PathRobert Hands, The Comedy of Errors (Propeller)
Edward Franklin, Many Moons
Craig Parkinson, Ecstasy
Adam James, Much Ado About Nothing (Wyndhams)

2011 Best Actress in a MusicalImelda Staunton, Sweeney ToddAdrianna Bertola, Josie Griffiths, Cleo Demetriou, Kerry Ingram, Eleanor Worthington Cox & Sophia Kiely, MatildaLaura Pitt-Pulford, Parade
Beverley Klein, Bernarda Alba
Jemima Rooper, Me and My Girl
Scarlett Strallen, Singin’ in the Rain

2011 Best Actor in a MusicalBertie Carvel, MatildaMichael Ball, Sweeney ToddDaniel Evans, Company
Daniel Crossley, Me and My Girl
Alastair Brookshaw, Parade
Vincent Franklin, The Day We Sang

2011 Best Supporting Actress in a MusicalSamantha Spiro, CompanyKate Fleetwood, London RoadJosefina Gabrielle, Me and My Girl
Josie Walker, Matilda
Rosalind James, Ragtime
Ann Emery, Betty Blue Eyes

2011 Best Supporting Actor in a MusicalDaniel Crossley, Singin’ in the RainNigel Harman, Shrek the MusicalConnor Dowling, Guys and Dolls
Jack Edwards, Betty Blue Eyes
David Burt, Crazy For You
Nick Holder London Road

2010 Best Actress in a PlayMichelle Terry, TribesNancy Carroll, After the DanceZoë Wanamaker, All My Sons
Helen McCrory, The Late Middle Classes
Miranda Raison, Anne Boleyn
Sophie Thompson, Clybourne Park

2010 Best Actor in a Play
John Heffernan, Love Love LoveBenedict Cumberbatch, After the DanceJacob Casselden, Tribes
David Suchet, All My Sons
Roger Allam, Henry IV Part I + II
Andrew Scott, Design for Living

2010 Best Supporting Actress in a PlayRachael Stirling, A Midsummer Night’s Dream (Rose, Kingston)Jemima Rooper, All My SonsJessica Raine, Earthquakes in London
Sylvestra Le Touzel, Les Parents Terribles
Clare Higgins, Hamlet (NT)
Madeleine Potter, Broken Glass

2010 Best Supporting Actor in a PlayRobin Soans, Palace of the EndNigel Lindsay, Broken GlassAdrian Scarborough, After the Dance
Eddie Redmayne, Red
Stephen Campbell Moore, All My Sons
William Gaunt, Henry IV Part I + II

2010 Best Actress in a MusicalTracie Bennett, End of the RainbowEmma Williams, Love StoryCora Bissett, Midsummer
Sheridan Smith, Legally Blonde
Katie Moore, Salad Days
Kirsty Hoiles, Spend! Spend! Spend!

2010 Best Actor in a MusicalSam Harrison, Salad DaysJon-Paul Hevey, Once Upon a Time at the AdelphiJohn Owen-Jones, Les Misérables
Alan Richardson, Iolanthe
Matthew Pidgeon, Midsummer
Dean Charles Chapman, Billy Elliot

2010 Best Supporting Actress in a MusicalHannah Waddingham, Into the WoodsJodie Jacobs, State FairKaren Mann, Spend! Spend! Spend!
Siobhan McCarthy, The Drowsy Chaperone
Jill Halfpenny, Legally Blonde
Twinnie Lee Moore, Flashdance

2010 Best Supporting Actor in a MusicalMichael Xavier, Into the WoodsMatthew James Willis, IolantheTom Parsons, Avenue Q
Michael Howe, The Drowsy Chaperone
Liam Tamne, Departure Lounge
Earl Carpenter, Les Misérables

2009 Best Actress in a PlayRachel Weisz, A Streetcar Named DesirePhoebe Nicholls/Lisa Dillon, When the Rain Stops Falling; Chris Nietvelt, The Roman TragediesImelda Staunton, Entertaining Mr Sloane
Juliet Stevenson, Duet for One
Anna Chancellor, The Observer

2009 Best Actor in a Play
Hans Kesting, The Roman TragediesJude Law, Hamlet (Donmar)Dominic Rowan, The Spanish Tragedy
David Troughton, Inherit the Wind
Dan Stevens, Arcadia
Henry Goodman, Duet for One

2009 Best Supporting Actress in a PlayRebecca Hall, The Winter’s Tale (Bridge Project)Kate Fleetwood, Life is a DreamJessie Cave, Arcadia
Michelle Dockery, Burnt By The Sun
Alexandra Gilbreath, Twelfth Night
Ruth Wilson, A Streetcar Named Desire

2009 Best Supporting Actor in a PlayAndrew Scott, CockSimon Paisley-Day, Entertaining Mr SloaneMark Dexter, Inherit the Wind
Tom Goodman-Hill, Enron
Ethan Hawke, The Winter’s Tale (Bridge Project)
Barnaby Kay, A Streetcar Named Desire

2009 Best Actress in a MusicalSamantha Spiro, Hello, Dolly!Julie Atherton, The Last Five YearsMelanie Chisholm, Blood Brothers
Donna King, Frank’s Closet
Patina Miller, Sister Act
Tamzin Outhwaite, Sweet Charity

2009 Best Actor in a MusicalSimon Burke, La Cage aux FollesCarl Mullaney, Frank’s ClosetRoger Allam, La Cage aux Folles
Mark Umbers, Sweet Charity
Aneurin Barnard, Spring Awakening
Tony Sheldon, Priscilla Queen of the Desert

2009 Best Supporting Actress in a MusicalJosefina Gabrielle, Hello, Dolly!Sheila Hancock, Sister ActJosefina Gabrielle, Sweet Charity
Tiffany Graves, Sweet Charity
The Lovely Debbie McGee, Frank’s Closet
Jodie Prenger, Oliver!

2009 Best Supporting Actor in a MusicalOliver Thornton, Priscilla Queen of the DesertDaniel Crossley, Hello, Dolly!Rowan Atkinson, Oliver!
Clive Carter, Priscilla Queen of the Desert
John Marquez, Annie Get Your Gun
Jason Pennycooke, La Cage aux Folles

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The Onkyo G3 Smart Speaker is now under $100 (deal ends tomorrow)

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BuzzFeed Trump story was always dubious but ABC, CBS, NBC still spent over 27 minutes on it

Despite the fact that the BuzzFeed News story was not confirmed by — well — any news outlet from when it was first published to the statement from Mueller’s team, the broadcast networks devoted 27 minutes and 33 second on their Friday morning and evening newscasts (minus opening teases) to a story that, for lack of a better term, has been sunk.

Read more: foxnews.com