Backstreet Boys. Chicken suits. Jimmy Fallon. What the cluck is this?


If you’re a longtime fan of the Backstreet Boys, you’ll ever love or truly hate this.

The longtime boy band joined Jimmy Fallon on The Tonight Show to promote their just-landed album DNA on Thursday night.

But of course, most fans will know the BSB from their back catalogue of hits, in particular 1997’s “Everybody (Backstreet’s Back).”

Watching AJ McLean, Howie Dorough, Nick Carter, Kevin Richardson, and Brian Littrell dress up in chicken suits as the “Bawkstreet Boys” to cluck the words of their iconic pop song will either delight, enrage or sadden you. But the dudes look like they have fun, and I guess if you can’t laugh at yourself… Read more…

More about Backstreet Boys, Jimmy Fallon, The Tonight Show, Entertainment, and Music

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You will soon be able to block unwanted artists on Spotify

It appears you will no longer need to stress over getting undesirable music or artists playing in your Spotify playlists with a possible brand-new function

The post You will quickly have the ability to obstruct undesirable artists on Spotify appeared initially on Pocketnow .

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Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

Life In Color landed this past weekend in Miami, Florida’s art district Wynwood. For this year’s latest iteration of Life In Color (more colloquially known as LIC), the people behind the “world’s largest paint party” gathered their paint cannons and their vendors to have their pink, green, yellow, blue, and orange paint bottles restocked and ready to turn a music festival into a real-life Splatoon party. With Bang energy drinks as their latest sponsor, LIC enlisted the likes of Diplo, What So Not, Said the Sky, Ray Volpe, Wooli and even Shaquille O’Neal bringing his DJ Diesel presence to the 305.

Guests entered LIC to find $5 bottles of paint readily available with artists making murals and DJs throwing down in-your-face, bass bangers. Some were dripping from being as close to the front of the stage as possible while others were adorned with small splashes of color on their white t-shirts. There was even one festival goer in attendance wearing a panda mask that was turning more and more pink as the festival raged on.

One of this year’s most interesting facets about this year’s LIC lineup is that almost all the artists work with and/or perform with bass music. All of these main stage headliners spewed riddim, dubstep, and trap anthems to an audience asking for as much bass as their was paint. From the more melodic and experimental nature of artists like What So Not and Said the Sky to the neck-breaking, adrenaline-pumping nature from the likes of Ray Volpe going back-to-back with Wooli and DJ Diesel. And each performance was solid. I was surprised to see how hyped the crowd was when Shaq would demand the crowd to start a mosh pit. At that time, three opened up simultaneously and mayhem ensued.

However, there was a second smaller stage known as the “Secret House Party” nestled into a corner of semi-dilapidated Wynwood warehouses. Here, local Miami-based talent like Lucas Larvenz, Dr. Clutch, and DENO dropped four-to-the-floor fire. Meanwhile, a team of skilled of shuffle dancers were surrounded by the partying crowd. Even Gabby J David, renowned shuffle dancer, made an appearance flexing on the concrete dancefloor. It was like a legendary 1990s rave but updated by 2019’s standards.

Life In Color has changed a lot since its inception. After several college paint parties took off in the early 2000s, these organizers envisioned a greater scope that these paint parties could have. From there, they created Dayglow which hosted events in Miami’s nightclubs and eventually touring with the concept for college crowds to party across the country. After Dayglow was bought by SFX Entertainment (now known as LiveStyle) in 2012, they rebranded as Life In Color and began to have larger lineups. This included starring headliners such as Calvin Harris, Big Sean, 2 Chainz, Steve Aoki, Marshmello, Alesso and many more. By 2016, LIC made a new home in Wynwood where it has been hosting the flagship paint party ever since.

The evening concluded with a lengthy and varied set from Diplo. The Mad Decent label boss and hit producer has been a longtime headliner for LIC from their earliest time as Dayglow performing at their events as a solo artist or as part of groups like Major Lazer and Jack Ü. In other words, Diplo was and is the most appropriate act that could ever headline Life In Color ever. His set contained mixtures of songs like the Sheck Wes anthem “Mo Bamba” with Zomboy’s remix of “Follow” by Bro Safari as well as his own hits like “Waist Time” with Autoerotique or “Get It Right” with MØ. Diplo closed out the festival with a crowd left behind satisfied from a day of head-banging, mosh-pitting, and general paint-related debauchery.

Overall, Life In Color 2019 was a stellar party. All the headliners performed to a crowd gobbling up every song, remix, and mashup blasting through their speakers. The crowd got their towels and dried themselves of all the wet colors splattered all over their bodies before hopping into their cars and Ubers. Even though this year sacrificed variety in its lineup across the offered artists, LIC put together a consistent lineup of bass-focused artists who have enough personality to stand apart from each other. It would be interesting to see if LIC doubles down on sticking to being a bass music festival or one that switches to other genres like house, hip-hop, or Latin music. Either way, Life In Color will always be the “world’s largest paint party” no matter what music’s hosting the show.

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We are still buzzing from LIC Miami 2019! Thank you again to everyone who came out and shared an amazing night with us

Posted by Life In Color "World's Largest Paint Party" on Tuesday, January 22, 2019

This article was first published on Your EDM. Source: Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

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Fun with Bugs #77 – On MySQL Bug Reports I am Subscribed to, Part XIV

my speak about MySQL bugs at FOSDEM 2019 MySQL, MariaDB and Friends Devroon are all set, support consumers chose not to break anything terribly on weekend, so I have some spare time for blogging. As normal, when I do not have any much better concept or beneficial current reality experience to share I blog about MySQL bugs . Today I ‘d like to continue my evaluation of intriguing MySQL bug reports included by Community members in December, 2018. I’ll examine them beginning with the earliest: Bug # 93701 – “Assertion’ maybe_null ‘stopped working|Item_func_concat:: val_str( String *)”. It’s debug assertion, not a huge offer (S6 bug), so why should anybody appreciate this report from Ramesh Sivaraman ? Since last time exact same assertion failure wound up as major adequate Bug # 83115 repaired in 8.0.11. Bug # 93708 – “Page Cleaner will sleep for long period of time if clock modifications”. In this bug report from Marcelo Altmann I was primarily impressed by arguing begun by Oracle engineer on bug seriousness (paperwork demand, function demand vs genuine bug). IMHO it was a wild-goose chase. Bug # 93728 – “mysqld crash after utilizing change table with SPATIAL secret”. Good finding by Rui Xu . MariaDB 10.3.7 is likewise impacted. A minimum of in the mistake log I likewise see this mistake message for each SPATIAL index of the table:2019 -01 -20 19:26:15 9 [MISTAKE] InnoDB: Record in index ‘idx2’ of table ‘test’.’ tab’ was not discovered on upgrade: TUPLE (info_bits= 0, 2 fields): [32] $@ $@ $@ $@( 0x0000000000000400000000000000040000000000000004000000000000000400), [4] (0x00000001) at: COMPACT RECORD( info_bits= 0, 1 fields): [8] infimum ( 0x090E06090D050D00) Bug # 93734 – “MySQL 8.0 is 36 times slower than MySQL 5.7”. I like whatever about this bug reported by Vadim Tkachenko , CTO of Percona. I like summary that sounds cool, missing out on precise MySQL 8.0.x variation (however I presume 8.0.13), effect of innodb_flush_log_at_trx_commit, recommended repair and the reality that the bug is still “Open” and no one from Oracle paid any attention to the report from CTO of among crucial Oracle partners and advocates of MySQL 8. Terrific! Bug # 93737 – “mysqlbinlog mermory utilized grows unstoped”. I had actually not attempted to replicate it (and no one had it appears, as the bug is still “Open”), however this report by Chandler Bong sounded fascinating. Let’s see what it might wind up with … Bug # 93746 – “MySQL Crashes with deadlock at Mutex DICT_SYS developed”. Long semaphore waits including DICT_SYS mutex and resulting in guard dog thread eliminating MySQL prevail. Bug processing is still in development, however I signed up for this bug by Anton Ravich primarily to follow another bug he describes as a potentially associated, Bug # 80919 . That bug is stated a replicate of some bug in Oracle’s internal bugs database, without bug number discussed. This is not the very first time I see such am creative method to procedure neighborhood bugs (that I think about undesirable and completely incorrect). Bug # 93760 – “InnoDB got assert failure while finding out area id at start-up”. Fungo Wang discovered this crash while running MTR test case innodb.innodb _ redo_debug_1 with debug binaries. Now I question if Oracle QA runs MTR tests with debug binaries at all and do they care to inspect failures (or depend on Percona for this activity)? Any remarks? Bug # 93761 – “enhance table trigger the servant MTS deadlock!”. Sounds major and fascinating, however no one cared to inspect this bug report. It’s “Open” without remarks for 3 weeks currently. Bug # 93767 – “INSTALL COMPONENT stops working – managed segfault throughout setup absolutely nothing in log”. I am amazed that someone beyond Oracle currently utilizes brand-new MySQL 8.0 server elements function. My previous associate, Justin Swanhart , attempted however stopped working up until now. Let’s see how this report might wind up. In the meantime Oracle engineer mentioned that Justin attempted to do something this structure was not developed for, see good last remark there. Bug # 93777 – “the Originator of mysql.event is not remedy”. Take notice of this bug discovered by Dennis Gao if you utilize occasions in duplication environment. Bug # 93779 – “dml in table with trigger to other Table map in binlog result in servant sql stopped”. Deal with this bug report from Mohamed Atef is still in development. Bug reported cared to include a great deal of information in current remarks, so I want to see this bug processed quickly.I’ve likewise consisted of a number of bugs reported in January, 2019 in the list above, however I hope you do not mind. Today I ‘d like to keep in mind those warm days in Venice in September and those bothersome MySQL bugs reported this winter season …To sum up:Some bug reports remain “Open” for weeks with no great factor just recently.The disgraceful practice of describing bugs in Oracle’s internal bugs database without providing a number (that we see in release notes when the bug is repaired and can try to find in dedicate messages at GitHub) ought to be stopped! Next time I’ll blame engineer(s) who this by name, here and in social networks. Inspect how this is effectively done by Shane Bester.I question if Oracle QA runs MTR tests cases on debug constructs on a regula basis and checks the outcomes, or this is now a task for Percona mainly?I need to compose a different article about bugs associated with SPATIAL indexes execution in InnoDB. There need to be dragons …P.S. Don’t forget to click names of bug press reporters to see the whole list of still active MySQL bug reports each of them developed.

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Best Website Design on How To Launch Your Website

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Best Website design advice from Robin Waite on launching your business website.

Hi I’m Robin Waite author of best-selling book online business startup and in this video I’m going to be giving you my top tips when you come around to launching your best website design so my first tip is not to rush the process of launching a website or leave it to the last minute it’s quite common for people to choose Friday as the day they want to launch their best website design and imagine if things don’t go quite to plan and then it’s kind of three o’clock on a Friday afternoon when you launch your website your web designer is kind of like celebrating going down the pub drinking pints of beer and then you realize on Friday evening at six o’clock that something’s not quite right with the site and now nobody’s available to fix those problems and you’ve got to kind of live with that feeling all over the weekend so Friday is typically a really bad day to launch your best website design Monday is a really good day because it means that you can you’ve got lots of time to fix any problems and I hope as well that well part part the problem of rushing your your website launch means that and perhaps you haven’t had the opportunity to test your site as thoroughly as you might have planned so first and foremost I suggest and you know don’t be disheartened if your site launch and is late or last-minute or feels rushed and and if there are bugs there and you know kind of those are to be expected but typically most of the 99% of the work will have been done so last-minute changes can happen really really quickly but equally if you spot something at the last minute you know on Friday morning and that fundamentally you need changing and don’t forget that that’s going to affect the launch time for your best website design and so it’s sometimes that you can and I’ve stripped out features of websites before we’ve launched because they’re not quite right or not quite as what the customer expected so it means that what we can do is we can launch on time we can switch those features off we can fix the problems that the customer might have found and then we can just add those updates in softly so that they just appear online as and when they’re ready it just means it and we hit the launch date but it doesn’t feel rushed and it means that we can solve any any problems that we might have found at a later date and without the added pressure of trying to get the site life my second tip is just to remind you that your website is an organic and products or project and you should never consider it to be finished so even when you launch it immediately it’s out of date the web moves so fast these days we used to work on a three-year kind of lifecycle for a website sort of when we started out in 2004 now you’re probably talking about your website being out of date within a year or a year and a half so you should be constantly looking to evolve and update your website on a regular basis and don’t forget that any features which your website doesn’t have now you should be able to enhance your website by adding those new features or making subtle design tweaks as time goes on and what this means is that when the site launches it doesn’t necessarily have to be perfect because the imperfections that you see as a business owner potentially your customers is totally you know they just miss it they just don’t see those imperfections and you may just be looking into granular detail at your website obviously if they are glaring like problems then yeah you want to get in there and fix those because those potentially might have an impact on sales but you know moving a changing a color from like a lighter shade of blue to a light blue or moving a logo like two pixels to the left so it aligns properly probably not many people are going to notice that except for you and your web designer and those are little niggly things that you can make a list of and then fix post-launch so my third tip when your website goes live is to test your website thoroughly in a previous video I talked about a site launch checklist and there’s a number of things which you can you can test for when your site goes live and essentially what we’re doing now is we’re just checking that from from when your websites on a staging server to now when it’s on the live server that everything is is in perfect working order and just to give you a few examples of this off the checklist so you want to make sure that all of the pages are working so when you click through the nav every single one of the pages is working and there are no 404 errors or and page page missing errors make sure there are no broken links or missing images on your website so there are no kind of none of those placeholder images with a little tiny image icon in it and make sure that image is definitely there check any features on the website so things like blogs check out any product listings or category listings slide shows your contact form make sure that all of those features are working as you would expect them to work make sure that when you submit a contact form the email is definitely getting through to you also check that Google Analytics is installed on your website test your website and the number of different browsers and devices so your website is going to look different on an iPhone and it’s going to look different than iPad it’s going to look different on a Mac on a on a PC on a laptop on different screen resolutions and screen sizes so as many devices as we’ve got you’ve got access to test on those and there’s also a few online resources where you can plug your domain name in and it gives you screenshots of what the website looks on all sorts of different devices as well make sure that your website is configured correctly for search engines so install Google search console onto your website I’m used to be called webmaster tools make sure that social media icons are linked up correctly make sure that for example your Twitter feed is updating on as you as you tweet make sure that you run your site through a w3c validation tool to make sure there are no errors on your site code because those will affect them how Google indexes your so that your your website through its search engine and also you could use a couple of tools like GT metrics or page load speed to test how quickly the page loads and across different different server locations so UK Europe u.s.

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And things like that again if there’s if the page loads slowly and then it’s likely that you’re going to lose customers before they’ve even had a chance to find out who you are and what you do so my fourth tip is based around Google’s and how Google works essentially Google and Google’s PageRank is based on trust so the longer your website’s been live and in existence then the more Google trusts you so it’s really important if you’ve got a big project that you’re developing and it’s going to take four or six months to go live that potentially what you might want to do is get a holding page up immediately from day zero and so the google has at least something to index so that when your full site goes live you’ve already built up four or six months worth of trust with Google and what this does is it just gives you a bit of a head start when it comes to optimizing your your site and your content from a search engine perspective so just to summarise those key points and don’t rush your website launch or leave it till the last minute because that’s going to cause you and problems and panic and stress so just make sure that you give yourself realistic timescales to launch your website in and make sure that or just remember that your website is an organic product and so don’t ever consider it to be finished at the moment it launches it’s kind of already out of date and you’re going to be constantly adding features to it so if you don’t get features in for launch you can always add them in afterwards and test your website thoroughly using a multitude of different tools and make sure you’ve got a website checklist and or email me for that checklist I’ll be happy to send it through to you one which we use and then finally just remember the Google’s PageRank is based on it and Trust so the longer your domain and your website’s been live for and the better that trust and your organic search engine optimization and PageRank is going to be so if your website’s not quite ready and make sure you put a holding page up there so Google can start to build up that trust so thanks once again for watching the video I hope you found some of the tips helpful and if you’ve got any questions then please do leave some comments in the boxes below the video if you want to be informed about any future videos which I upload then please click here to subscribe and then finally if you haven’t already head on over to Amazon using this button just here to buy the book online business data thanks for watching I’m Robin Waite

Best website design can be easy with the solution from My Tech Manager. Shops Near You is promoting the deal from My Tech Manager for the best website design for businesses in the Charlotte, NC area.

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Fare Exchange: Advice on cocoa and a recipe for barbecue sauce – Chattanooga Times Free Press

Fare Exchange: Advice on cocoa and a dish for barbecue sauce Chattanooga Times Free Press

Good early morning, essential readers. Today M. Mackie is requesting for a thick, delicious tomato soup “like the one offered by Sam’s Warehouse. I desire velvety and …


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Forget the 9-0, Burton Albion’s rise is one of modern football’s great fairy tales

The meager tally, which covers Robinson’’ s 24-year period at the club, epitomises whatever that has actually assisted to make the Brewers what they are today: among modern-day football’’ s biggest fairy tales. As they commemorate their 10th season in the Football League, Burton have actually produced a plan for enthusiastic non-league clubs to follow by revealing that stability and practical development can still benefit in the mega-bucks world of expert football.

That’’ s not to state that Robinson hasn’’ t made huge financial investments and choices when required, however he’’ s stayed client to turn Albion into seasonal overachievers. And on the one celebration when he was required to fire a supervisor, that fate falling on previous Birmingham City forward Paul Peschisolido back in 2012, it was just after a 17-game winless run threatened to pull Burton back into non-league. It’’ s a lot longer than lots of supervisors would have got.

Instead, the Staffordshire side continued to construct brick by brick, ultimately culminating in promo to the Championship in 2016; a promo Robinson compared to Leicester City’’ s 5,000-1 Premier League success.

What makes Burton’’ s accomplishments a lot more outstanding is the truth that the town is barely a hotbed of football. The football landscape in the location was barren prior to the Brewers were formed in 1950.


Burton hadn’’ t had a club of any note for a years after Burton Town withdrew from competitors in 1940 due to World War II and didn’’ t reform after the combating stopped. Even more back, the town’’ s Wanderers and Swifts had actually been amongst the very first clubs to play in the Second Division in the Football League’’ s developmental years, and combined to form Burton United, who maintained the subscription till stopping working to get re-election in the early 1900s.

Albion’’ s introduction was barely an awakening either. While the start of the 1950-51 season significant day absolutely no in the club’’ s history, any tip of what would can be found in the 21st century was hardly obvious in its very first half century. The group took its location amongst a host of other non-league sides in the area, bouncing in between the local departments ¬– ¬– just making what occurred in the following 20 years a lot more excellent.

Led by the enigmatic Nigel Clough, who had actually taken control of the check October 1998, Burton directly lost out on promo to the Football Conference two times towards completion of the last millennium, prior to lastly topping the Northern Premier League in 2001-02.

Clough’’ s arrival, after seeing a paper advert for the task in the Daily Mail, had actually offered Burton additional motivation and his vision –– in addition to Robinson’’ s financial backing and disciplined technique –– started to progressively develop Albion in the 6th tier.

““ Straight away, we [Robinson and Clough] had great deals of commonalities and got on truly well,” ” Robinson remembered in a 2013 interview for Derbyshire Life.

““ I believed that with Clough’’ s profile, we most likely couldn ’ t manage him, however just how much Nigel was to be paid was never ever on the program.

““ Nigel raised the profile, not just of Burton Albion, however the town of Burton, and actually took us to another world [sic] I couldn’’ t have actually dealt with a more honourable guy.””


Three successive bottom-half surfaces in the Conference were viewed as development, with Robinson’’ s crucial financial investment, the structure of the club’’ s brand-new Pirelli Stadium, opening its doors in 2005 with a friendly versus Manchester United. It was the return of Alex Ferguson’’ s guys later on that season that stimulated Burton onto the next level, with a 0-0 attract the FA Cup Third Round making a money-spinning replay at Old Trafford –– motivating brand-new advocates and restored aspiration.

Revenue from the cup run was reinvested wisely, as Burton slowly enhanced on their league surfaces: first of all difficult, then reaching the play-offs throughout the next 3 seasons prior to protecting promo to the Football League in 2009.

While accomplishing such status was an extraordinary task for a little, provincial club, that optimism was pierced towards completion of the season when Clough delegated end up being Derby County employer, with his previous charges almost blowing a 19-point result in limp over the line on the last day after competitors Cambridge United stopped working to win versus Altrincham. Burton were losing at Torquay United.

The doubtful end-of-season type, albeit ending with promo, indicated caretaker manager Roy McFarland chose not to get the irreversible position, with previous Birmingham forward Peschisolido offered the job of developing Burton at their brand-new level.

Once more, Robinson’’ s strategy was to develop smartly. All was going to strategy, with the Brewers attaining safe mid-table positions in the very first 2 seasons and going on another FA Cup run, beating Middlesbrough along the method. After Burton plunged down the table towards the end of 2011-12, Robinson was required to sack Peschisolido and leave assistant Gary Rowett to guide them to survival.

What took place next was the sort of climb Burton weren’’ t accustomed to. Rowett changed the club into promo competitors and, after 2 near misses out on in play-offs, his follower Jimmy Floyd Hasselbaink followed up winning League Two by leading them to the top of League One prior to leaving for QPR. It was a position the returning Clough transformed into promo to the Championship and brought Burton’’ s increase into nationwide focus.

““ We ’ ve done this on a small, the most pricey gamer we purchased was most likely ££ 25,000 ” Robinson informed the Daily Mail following promo. ““ And we ’ ve completed versus groups with a wage spending plan 3, three-and-a-half times what we’’ ve paid this season.

““ On the basis of that, as we’’ ve stated all along, for the size of the club and the level of assistance and our financial resources, we’’ ve overachieved huge time and it shows it’’ s possible to be effective without investing a fortune.””


Relegation after 2 seasons in the 2nd tier hasn’’ t moistened the state of mind that Burton is a club on the up. And developed on the structure of modest development, their accomplishments are a plain message to the invest huge, sack-happy owners that stumble their sides from one crisis to the next.

Bet on Football.

..Chances are offered sometimes of composing, please examine your betslip to verify they have actually not altered prior to wagering.

The post Forget the 9-0, Burton Albion’s increase is among contemporary football’s terrific fairy tales appeared initially on BetBright Blog .


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The MAGA boys may have harassed women before the now-viral incident—and there’s even video

The MAGA boys may have harassed women before the now-viral incident—and there’s even video

The MAGA boys may have harassed women before the now-viral incident—and there’s even video

On Saturday, January 19th, a video emerged of a group of teens in MAGA hats jeering at protesters at the Indigenous Peoples March. Before long, the clip went viral, and the teens were identified as a group of students from Covington Catholic High School in Kentucky who were in Washington, D.C. for the anti-abortion March for Life. The teens and their allies have since claimed that they weren’t harassing the group, which included Native American elder Nathan Phillips. However, a woman has now come forward claiming those same boys harassed her and several friends before the rally, seeming to support the fact that the teens were exhibiting disrespectful and bigoted behavior from the beginning.

On January 21st, Twitter user @roflinds shared an eight-second video of a group of MAGA hat-wearing boys shouting at her friend outside the Lincoln Memorial. She tweeted that they heard the group yell “MAGA,” “Build the wall,” and “slut” as they walked by.

“The Covington Catholic boys harrassed [sic] my friends and I before the incident with Nathan Phillips even happened,” she tweeted. “I’m tired of reading things saying they were provoked by anyone else other than their own egos and ignorance.”

The Covington Catholic boys harrassed my friends and I before the incident with Nathan Phillips even happened. I'm tired of reading things saying they were provoked by anyone else other than their own egos and ignorance 🤦🏼‍♀️

— linds (@roflinds) January 21, 2019

The faces of the woman’s harassers aren’t clear in the video, but when one user asked if she was sure that they were Covington Catholic students, she replied that she was “positive.”


— linds (@roflinds) January 22, 2019

Let’s not forget—this entire event happened because a group of boys went on a school-sanctioned trip to protest against a woman’s right to her own body and reproductive healthcare. It is not debatable that bigotry was at play from the start.

— Alyssa Milano (@Alyssa_Milano) January 21, 2019

They were teenagers attending and anti abortion rally, these children have been taught to view women as wombs not autonomous human being, racism and misogyny go hand in hand #CovingtonCatholic

— Captain Fluffula (@Fluffula) January 20, 2019

Phillips, the Native American elder from the original viral video, told The New York Times that he had originally intervened between the students and a group of Black Hebrew Israelite protesters on Saturday due to mounting tensions. He told the paper that he “stepped in between to pray.”

Anyway it was way off base for a tv commercial to suggest that some boys need to behave better

— Jess Dweck (@TheDweck) January 20, 2019

The teen from the photo, who identified himself as junior Nick Sandmann, claimed in a statement that he and the other students had been saying school chants to “counter the hateful things that were being shouted at our group.” But other people have extremely different accounts of what took place, with many witnesses saying the boys were clearly mocking Native American dance and practices.

The earlier footage of Native American veteran Nathan Phillips being mocked by Trump supporters is so much worse.

— Waleed Shahid (@_waleedshahid) January 21, 2019

If the eight-second video clip from @roflinds is, in fact, of the same boys who harassed Phillips, then it’s safe to say they were exhibiting highly problematic behavior well before the now-viral incident took place. Why are we not surprised?

The post The MAGA boys may have harassed women before the now-viral incident—and there’s even video appeared first on HelloGiggles.

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SVG Filter Effects: Outline Text with


Last week, in the first post of this series on SVG filter effects, we covered the basics of SVG filters—how to create them and how to use them. We also covered a few of the most frequently used filter operations (a.k.a. filter primitives). We will be reusing a little of what we covered in the first post in this article. So, unless you’re already familiar with those, I recommend taking a few minutes to read that article before moving forward with this one.

<feMorphology> is one of my favorite SVG filter operations. It is one of the simplest operations, too, and the results of applying it to different elements are predictable most of the time.

What is Morphing?

To morph means to transform or alter the form or the shape of an object.

The morphology filter operates on the form of an object. It provides two predefined shape transformations: erosion (a.k.a thinning, or shrinking) and dilation (a.k.a. thickening, or expanding). In other words, the feMorphology primitive can be used to shrink or expand elements.

Technically speaking, both these operations operate on a pixel level, expanding a pixel into its neighboring pixels (dilate) or crumbling the neighboring pixels at the edges of the pixel being operated on (erode), while still maintaining strokes around the edge of that pixel. The amount by which a pixel is dilated, or the number of neighboring pixels used to “stretch” or “expand” a pixel upon, is determined by a radius parameter.

in=”..” result=”..”
operator=”dilate || erode” radius=””>

You can think of the morphing radius as the radius of a circle or ellipse; any neighboring pixels that lie within the circle determined by this radius and starting at the input pixel then counts as a neighboring pixel and will be used in the dilation or erosion effect.

In reality, though, the radius actually defines the size of a kernel known as the structuring element and which looks more like a matrix. For now, it’s enough to think about it in terms of a small rectangle whose width and height are determined in pixels specified in the radius attribute.

Effect of erosion using a 3x3 structuring element (kernel).

To use the filter we don’t need to get into the nerdy details of what morphing does on a pixel level. Suffice it to know that you can provide one or two radius values to feMorphology that will determine the amount by which your element will be shrunk or expanded. If you provide two numbers in the radius attribute, the first one will correspond to the x-radius and the second one will determine the y-radius.

Morphing Images

When the feMorphology operation is applied to images, it results in two, usually predictable, results:

The image size (dimensions) get smaller if the erode operator is used, and larger if the dilate operator is used.
With either operator, the image looks like it’s been painted with a large painting brush, with not a lot of fine detail in it.

So, assuming we want to apply the morphing effect to an image, our code would look as simple as this:

<svg width=”450″ height=”300″ viewBox=”0 0 450 300″>
<filter id=”erode”>
<feMorphology operator=”erode” radius=”3″></feMorphology>
<image xlink:href=”…” width=”90%” height=”90%” x=”10″ y=”10″ filter=”url(#erode)”></image>

In this snippet, we are eroding (shrinking) the (pixels in the) image by 3 pixels. The following image shows the result of this code. Notice how the size of the image is slightly smaller on the right:

The result (on the right) of applying the erode morphing effect to the image on the left.The result (on the right) of applying the erode morphing effect to the image on the left.

Now, if we keep the same morph radius and change the operator from erode to dilate, the effect looks similar, but also distinctively different:

The result (on the right) of applying the dilate morph operation to the image on the left.The result (on the right) of applying the dilate morph operation to the image on the left.

In both cases, the image looks like an abstract painted version of itself, and its overall size changes as its pixels expand or shrink.

But in addition to the these results, probably the first thing you’ll notice is the difference in colors resulting from each of these two effects: erode produces an image that has more dark pixels, whereas dilate produces a light output. This is due to the fact that:

erode (the default value) sets each pixel to its darkest or most transparent neighbor, respectively for each of the R, G, B, and A channels, and

dilate sets each channel of each pixel to match the brightest or least transparent value from its neighbors, for each channel respectively.

All this technicality aside, applying feMorphology to images will almost always have the same result: a shrunken or expanded low-detail paint-like version of the image with either dark or light main strokes.

See the Pen feMorphology on an image by Sara Soueidan (@SaraSoueidan) on CodePen.light

When applied to single-color elements, however, such as text, feMorphology only shrinks or expands the element—no noticeable pixel color changes happen because we only have one color to work with anyway…

Adding Colored Outline to Text with feMorphology

We can currently add an outline to text in SVG using the stroke attribute on that text.

<!– Adding an outline to SVG text using strokes –>
<text font-size=”80px” dx=”100″ dy=”200″ font-weight=”700″ stroke=”deepPink” stroke-width=”3px”>Stroked Text</text>

By adding a stroke, the stroke is usually centered at the edges of the text so that half of its thickness overlaps with the text itself, making the text thinner, even when it’s not supposed to. Instead of reducing the thickness of the text to add an outline, we should be able to expand (or dilate) the text so that the thickness of the outline or stroke is added to that of the text. We can do that using feMorphology.

Unless otherwise styled, text usually comes in one color. So, applied to text, feMorphology allows us to shrink or thicken that text. Once the text is thickened using feMorphology, it can be used as input to other filter primitives which then allow us to create text outlines the way they are meant to be created.

Before we dig into how to do that, here is an image showing the difference between text with a stroke outline and an outline added using feMorphology.

Screen Shot 2019-01-08 at 13.39.46Notice how the stroked text in the middle has become thinner after adding the stroke outline, compared to the text dilated using feMorphology.

So, let’s create a colored piece of text with an outline. We’ll take it step by step. This is the result we will be aiming for:

Screen Shot 2019-01-08 at 18.06.37

So we’ll start with an SVG containing our text and a filter that starts with a simple dilation operation. The amount you dilate the text by depends on the thickness of the outline that you want.

<svg width=”900″ height=”200″ viewBox=”100 0 900 200″>
<filter id=”outline”>
<feMorphology in=”SourceAlpha” result=”DILATED” operator=”dilate” radius=”4″></feMorphology>

<text font-size=”85px” dx=”125″ dy=”130″ font-weight=”700″ filter=”url(#outline)”>upgrade yourself</text>

The above code will get the alpha channel of the text—which is just a black version of the text—and will thicken it by 4px. The result of the code at this point looks like this:

Screen Shot 2019-01-08 at 18.10.25

..compared to the original text which has a dark navy blue fill color:

Screen Shot 2019-01-08 at 18.11.13

In order to create the outline effect, we will layer the original text on top of the dilated text, which will leave only the edges of the dilated text (the additional 4px) visible behind the original text, thus making them look like an outline. Overlaying the text on top of its outline (the dilated text) will be achieved using feMerge. We covered feMerge in the previous article.

Another thing we want to do before we position the outline behind the text is to colorize this outline. Also similar to what we did in the previous article, we will flood the filter region area with the color we want, and then composite the color layer with the dilated text layer (our outline) using the in operator. As a result, only the parts of the flood color that intersect with the dilated text will be rendered and the color will be blended with that text, thus colorizing it. Finally, we will merge the resulting colored outline with the original text to get the result we want. Our code now looks like this:

<svg width=”900″ height=”200″ viewBox=”100 0 900 200″>
<filter id=”outline”>
<feMorphology in=”SourceAlpha” result=”DILATED” operator=”dilate” radius=”4″></feMorphology>

<feFlood flood-color=”#32DFEC” flood-opacity=”1″ result=”PINK”></feFlood>
<feComposite in=”PINK” in2=”DILATED” operator=”in” result=”OUTLINE”></feComposite>

<feMergeNode in=”OUTLINE” />
<feMergeNode in=”SourceGraphic” />

<text font-size=”85px” dx=”125″ dy=”130″ font-weight=”700″ filter=”url(#outline)”>upgrade yourself</text>

Creating a filter effect in SVG is a matter of thinking of the final result in terms of smaller operations, and using the result of one operation as input to another, and finally merging any layers we have created to achieve the final result.

The following is a live demo of the above code:

See the Pen Colored Text Outline with feMorphology by Sara Soueidan (@SaraSoueidan) on CodePen.light

The fill color of the text can be specified either in your CSS or on the text element using the fill attribute. The color of the outline can be tweaked in the flood-color attribute of the feFlood primitive.

Knocking the Text Out

In addition to adding an outline to text by dilating its alpha channel and layering it behind the text, we can create outline-only text, a.k.a. knockout text, meaning that the inside of the text will be “carved out” so you can see the background behind it through the outline. An example of such effect might look like the text in the following GIF, which shows a background changing color, and how that background can be seen within our text. This is the demo we will be creating in this section:


This effect is easier to create, and the code required to make it is noticeably shorter. The main difference here is that instead of layering the source text on top of the dilated text, we will use that source text to cut out the inner parts of the dilated text. This means that only the added thickness of the dilated text will remain, while the inside will be removed, thus giving us our outline.

We can do that by compositing the source text with the dilated text. Our source text will go on top, and the dilated text will be its backdrop. Using the out composite operator, only the parts of the backdrop that do not overlap with the source layer will be rendered, which in our case means that only our outline will be rendered.

<svg width=”900″ height=”450″ viewBox=”0 0 900 450″>
<filter id=”outliner”>

<!– Start by grabbing the alpha channel of the text and dilating it–>
<feMorphology operator=”dilate” radius=”8″ in=”SourceAlpha” result=”THICKNESS” />

<!– Next, grab the original text (SourceGraphic) and use it to cut out the inside of the dilated text –>
<feComposite operator=”out” in=”THICKNESS” in2=”SourceGraphic”></feComposite>

<text dx=”100″ dy=”300″ filter=”url(#outliner)” letter-spacing=”10px”>SVG Rocks</text>

Using a nice font face, our demo now looks like this:

Screen Shot 2019-01-08 at 18.33.21

Cool. Now, what if you want to change the color of the outline? You’d have to use the feFlood primitive again and composite the Flood color with the outline. And then every time you want to change the color of the outline, you’d have to do the same over and over again. This is, admittedly, too tedious. Fortunately, there is a simpler way.

If instead of grabbing and dilating the alpha channel of the text (which is black by default) you grab the source text itself (which could have any fill color!) and dilate it, and then use the text again to carve out the inside of the dilated text, you end up with an outline that comes from the source text itself. This means that the color of that outline will always be the same as the color of the source text. And since we can define the fill color of the source text in CSS, this means that you have an outline text that is separated from its styles. (Yay separation of concerns!) You can then apply the filter to any piece of text, and change the color of that text in the CSS any time you need to, without having to tweak the filter’s code. Our improved code now looks like this:

<svg width=”900″ height=”450″ viewBox=”0 0 900 450″>
<filter id=”outliner”>

<!– Start by grabbing the source graphic (the text) and dilating it–>
<feMorphology operator=”dilate” radius=”8″ in=”SourceGraphic” result=”THICKNESS” />

<!– Then use the text (the SourceGraphic) again to cut out the inside of the dilated text –>
<feComposite operator=”out” in=”THICKNESS” in2=”SourceGraphic”></feComposite>

<text dx=”100″ dy=”300″ filter=”url(#outliner)” letter-spacing=”10px”>SVG Rocks</text>

In our style sheet, we can choose the outline color as well as the SVG background color. You can also choose to have an image behind the text inside the SVG. I’m using CSS animations in the code below to animate the color of the background, for no reason other than it being cool.

svg text {
font-family: ‘Bangers’, cursive;
font-size: 150px;
letter-spacing: 13px;
fill: #000; /* This fill color determines the color of the outline */

svg {
background-color: gold;
animation: colorsssss 2s linear infinite;
animation-delay: 3s;

@keyframes colorsssss {
50% {
background-color: deepPink;

The above SVG filter is reusable across SVG as well as HTML. If you want to apply it to an HTML element, you can do that using the filter property; just place the filter in your HTML and “call” it in your CSS:

h2 {
filter: url(#outliner);

/* You can change the color of the outline here by changing the color of the heading */
color: deepPink;

And our finished demo that includes an HTML heading with the filter applied to it:

See the Pen (Text) Outlines (Only) by Sara Soueidan (@SaraSoueidan) on CodePen.light

My favorite thing about this filter recipe is that it can be used as a visual enhancement. If a browser does not support SVG filters, or if it does not support CSS filters, or it does not support applying SVG filters to HTML elements, the user will get the original text without the outline/knockout effect applied to it. Oh, and the cherry on top of the cake? Both the SVG and the HTML text will be fully accessible, searchable and selectable. Yay progressive enhancement! Yay SVG!

Final Words

Using just two filter operations in SVG, you can apply an outlined text effect to your SVG or HTML text content. Place this filter in your HTML and use and reuse it as often as you need.

In the next article in this series, we will have a look at the <feComponentTransfer>, one of my favorite filter primitives, and see how it works and what effects we can create with it. Stay tuned.

SVG Filter Effects: Outline Text with <feMorphology> was written by Sara Soueidan and published on Codrops.

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First Look: Srixon Z-Forged Irons

Never mind most of us aren’t anywhere near good enough to play them, but good gravy a nice set of blades can make your nether-regions do the Ball Striker’s Rumba all day and all of the night. Blades are the true eye candy of the golf world, and serious golf companies are measured by how sleek, sexy and downright gorgeous their blades are.

Srixon has blades, so by definition, it’s a serious golf company. How serious depends on how sleek, sexy and gorgeous you find their new Z-Forged irons.

My hunch is you’ll find them deadly serious.

Art Meets Function

Club designers I’ve spoken with say designing blades is where the fun is. Techwise, there’s only so much you can do, so the challenge is to make it appealing to the eye while also providing the skilled ball-striker something they can use. The term forgiving blade is kind of an oxymoron, but today’s blades are easier to hit than your grandfather’s buddah knives.

“When we make a pure blade, we try to combine looks with advanced technology,” says Srixon Product Manager Zack Oakley. “You start by designing them on a computer, then you create the prototype, and then the artisan meticulously hand-shapes them and works with the Tour team to get the shape just right. Then you rescan them into the computer to capture that hand shape. They’ll do this several times until it’s perfected.”

The new Z-Forged blades are updates to the Z-965 blades and are companions to Srixon’s new Z 85 iron series introduced last fall. Srixon chose not to release their blades at the same time, even though that had been their custom. The fact they’re called Z-Forged with no designated numbers may indicate Srixon is planning a longer than two-year life cycle for the blades, so it would make sense to separate them from the Z-85 irons.

In addition, the styling is a bit of a departure from Srixon’s past blades and has a look that stands apart from the Z-785 and 585 irons.

“In previous Srixon models you see a lot of sharp edges that are sort of more triangular,” says Oakley. “You still see that in the 5’s and 7’s, but with the Z-Forged it’s more of a wave style. The designer that came up with this look was thinking about the ocean, and since we’re here on Huntington Beach and Japan is an island, it’s sort of a cross between the two.

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Topline Headlines

Blade lovers often exhibit what can only be called a kind of a topline fetish, insisting on a topline so thin it only has one side. Srixon’s previous blades featured some pretty slender toplines, but they weren’t what you’d call turkey carvers. The Z-Forged topline is, in fact, a tad thinner than that of its predecessor.

“The topline is naturally thinner than the matching Z-785 irons, as well,” says Oakley. “The topline is also a little bit straight at address.”

There are a couple of other subtle changes. The grooves are a bit deeper to provide a little bit more spin control, and there’s a steeper V in the VT Sole to accommodate the steeper swing of a tour player. “It gets you out of the turf a little quicker,” says Oakley.

As with the Z-65 series irons, you can expect to see the Z-Forged combined with Z 785’s and 585’s in progressive irons sets.

“They’re made to combo and mix and match,” says Oakley.

Final Thoughts, Price, Availability

To a company, OEMs will tell you while blades are the flagship of their lines, they’re also low man on the sales totem pole. That explains why most have three- to four-year life cycles for their blades and two- to three-year cycles on their players cavity backs. Tech-heavy Game Improvement irons are the big sellers and get the facelift every year or two.

So when it comes to the bottom line, blades don’t make or break an OEM, but they are important to each company’s Tour staff and to its image – serious OEM’s have serious blades, simple as that.

Srixon’s Z Forged blades will sell for $142.85 per club, so an 8-club set (3-PW) will run you $1,142.80 and a 7-club set will go for $999.99. The Nippon Modus 3 120 is the stock shaft, and the Golf Pride Tour Velvet is the stock grip. Srixon has one of the most extensive no-upcharge shaft options in the business, with 40 different shafts and grips available for custom builds at no extra cost.

The Z-Forged are available for pre-order on the Srixon website starting today. They’ll be in stores February 1st.

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